Go to any industry tradeshow or visit an actual screen-printing shop, and your eyes will naturally be drawn to the press, or presses there. This is true whether the shop in question employs a single manual press or is running multiple autos.FULL STORY
Screen Printing: Production
Match Colors Using a Color Wheel
With the invention of Pantone color-matching systems, life in the ink room has become much easier. As my children say, “back in the 1900s” it wasn’t as simple.
Finding someone with a good eye for color was a must for any busy print shop. One of the tools we found really handy was the color wheel. This could be purchased at most any art supply store and still are available today. Using this tool can help you see the relationship of color and give you examples of how other colors can be used during mixing.
Let’s start with the primary colors: red, yellow and blue. The color wheel will show you how to mix the primary colors to get the secondary colors of orange, green and violet, as well as how to get tertiary colors, which consist of red-violet, red-orange, yellow-orange, yellow-green, blue-green and blue-violet.
The wheel also shows what happens when you tint a color using white to make the color lighter and when you shade using black to make the color darker. Opposite each other on the wheel are complementary colors. To make a color less clean, you can mix in a little of the complementary color. Be careful, though, because by mixing too much you will end up with a muddy or dingy brown color.
In my early days, this was the color I made most frequently and it was usually by mistake. Once I understood complementary colors, I could use this in reverse to revive a clean color from a dirty one or correct my mistakes. As you can see, understanding the relationship between these colors on the color wheel will improve your skills for color matching.
Now, try this in your ink room. Mix several old leftover inks together on a piece of white paper. It only takes a little bit of each for this example. With your finger or a spatula, mix the colors together until you get a dirty or muddy color. Next, take a primary color — yellow, red or blue — and mix with the dirty one. You will see that one of the primaries will clean up the dirty color and revive it to a clean, hopefully usable color. This is a good way to reduce the old leftover colors from the ink room, too.
More Production News
Avoiding problems early on in your color separations will cascade down into gains at every step of the screen-printing process.FULL STORY
T-shirt screen-printing veterans Danny Gruninger, of Denver, Colorado, based DayBirds Printing, and Rick Roth, founder of New England’s Mirror Image Screenprinting & Embroidery and Ink Kitchen, talk fast, efficient setups as part of the Shop Talk education series at the 2022 Impressions Expo in Fort Worth, TexasFULL STORY